The new York times. Retrieved "Best Sellers: Combined Print e-book fiction". Retrieved "Best Sellers : Hardcover Fiction". The girl on the Train' is a runaway hit for paula hawkins". Archived from the original on McClurg, jocelyn. girl on the Train' sells 1 million copies". a b o'connor, william.
The girl on the Train by paula hawkins, paperback barnes
1 paula hawkins has waved these comparisons off, however, saying in an interview with The hollywood Reporter : "Amy dunne is a psychopath, an incredibly controlling and manipulative, smart, cunning woman. Porteri polish citation needed Świat Książki dziewczyna z pociągu jan Kraśko portuguese citation needed topseller a rapariga no comboio josé joão letria (revised by diogo montenegro) Spanish citation needed Editorial Planeta la chica del Tren Aleix Montoto turkish citation needed thaki publishing-house Trendeki kız aslıhan. Század kiadó a lány a vonaton opposing Tomori gábor Film adaptation edit main article: The girl on the Train (2016 film) The film rights for the novel were acquired in March 2014 by DreamWorks Pictures and Marc Platt Productions, with Jared Leboff (a producer at Marc. 27 Tate taylor, who directed The help (2011 was announced as the director of this film in may 2015, with Erin Cressida wilson as scriptwriter., british actress Emily Blunt was in talks to portray rachel. 29 Author Hawkins said in July 2015 that the film's setting would be moved from the uk to the. 30 The film began production in the new York city area in October 2015. 31 The film was released on 32 It remains mostly faithful to events in the book; the only distinct difference is that Rachel realises the truth about Tom's accusations of her behavior, not because of her own efforts, but through a chance meeting with the. Stage adaptation edit a stage adaptation of the novel by rachel Wagstaff and Duncan Abel made its world premiere in The courtyard Theatre at the west Yorkshire Playhouse from 12 may to It stars Jill Halfpenny as Rachel Watson and is directed by joe murphy. 33 References edit a b Maslin, janet. "Another Girl Gone in a tale of Betrayal 'the girl on the Train' by paula hawkins".
Tom tries assignments to beat and intimidate rachel into keeping silent but she defies him and fights back. Knowing he is about to kill her, rachel stabs Tom in the neck with a corkscrew. Anna helps Rachel make sure that he dies from the wound. When the police arrive, former adversaries Rachel and Anna support each other by co-ordinating their stories to explain their actions as self-defence. Reception edit The girl on the Train received mostly positive reviews from critics and audiences alike. In 2015 it became the fastest-selling adult hardcover novel in history, and it spent over four months on the new York times Bestseller List following its release. 7 Kirkus reviews praised the novel with a starred review, writing that "even the most astute readers will be in for a shock as Hawkins slowly unspools the facts, exposing the harsh realities of love and obsession's inescapable links to violence." Subsequently, the novel was. The book also won the 2015 goodreads Choice Award in the category mystery thriller. 13 In a less positive review for The new York times, jean Hanff Korelitz questioned the novel's narrative structure and criticised the protagonist for behaving "illogically, self-destructively, and narcissistically." 14 The girl on the Train has been compared frequently to gone girl by gillian Flynn.
As Scott discovers Rachel's lies and lashes out at her, her paper memories become clearer. Rachel remembers seeing Megan get into tom's car. Anna discovers that Tom and Megan were having an affair. Rachel begins trusting her own memories more, and realises that many of the crazy things Tom told her she did while drunk never really happened. He had been gaslighting her for years, which made her question her sanity. Armed with report this sad realisation, and the knowledge that he must have been the one who killed Megan, rachel warns Anna. When Anna confronts him, tom confesses to murdering Megan after she threatened to reveal that he had gotten her pregnant. Anna is cowed, fearing for her daughter's safety.
Rachel contacts Kamal, lying about her identity to get close to him and learn more about him. She makes a therapy appointment with him to see if he can help her recall the events that happened during her blackout that night. While kamal suspects nothing, rachel begins to gain insight into her life by speaking with him, inadvertently benefiting from the therapy. Her connections to Scott and Kamal, though built on lies, make her feel more important. She ends up not drinking for several days at a time but always relapses. Meanwhile, she continues to call, visit, and harass Tom. Megan's body is found; she is revealed to have been pregnant, and her unborn child was fathered by neither Scott nor Kamal.
The girl on the Train (2016) - rotten Tomatoes
She idealizes their life, though she has no idea that their life is far from perfect. The wife of the couple, megan Hipwell, has a troubled past. She finds her life boring, and escapes from her troubles by taking a series navratri of lovers. Megan has sought help by seeing a therapist,. Eventually, she reveals to him a dark secret she has never confided to anyone before. Anna is young, beautiful, in love with Tom, and happy as a stay-at-home mother to the young evie.
While at first she enjoyed the idea of showing off to rachel that Tom picked her over Rachel, she eventually becomes furious at Rachel's harassment of her family. One day, rachel is stunned to see megan kissing another man. The next day, after heavy drinking, rachel awakens to find herself bloody and injured, with no memories of the night before. She learns that Megan is missing, and is questioned by the police for after Anna reports having seen her drunkenly staggering around the night of Megan's disappearance. Rachel becomes interested in the case and tells the police she thinks Megan was having an affair. She then contacts Megan's husband, Scott and tells him as well, lying that she and Megan were friends. Rachel learns that the man she saw kissing Megan was Kamal.
7, it has occupied the number one spot of the uk hardback book chart for 20 weeks, the longest any book has ever held the top spot. 8, by early august 2015, the book had sold more than 3 million copies in the us alone, and, by October 2016, an estimated 15 million copies worldwide. 9, the audiobook edition, narrated by, clare corbett, louise Brealey and. India fisher (released by, books on Tape ) won the 2016, audie award for Audiobook of the year. 10 11, the film rights were acquired. DreamWorks Pictures in 2014 for Marc Platt Productions.
12 The film adaptation, starring Emily Blunt and directed by tate taylor, was released on Contents The story is a first-person narrative told from the point of view of three women: Rachel, Anna, and Megan. Rachel Watson is a 32-year-old alcoholic, reeling from the end of her marriage to tom, who left her for another woman, Anna watson. Rachel's drinking has caused her to lose her job; she frequently binges and has blackouts. While drunk, she often harasses Tom, though she has little or no memory of these acts once she sobers. Tom is now married to Anna and has a daughter with her, evie a situation that fuels Rachel's self-destructive tendencies, as it was her inability to conceive a child that began her spiral into alcoholism. Rachel follows her old routine of taking the train to london everyday; her train slowly passes her old house, where tom, Anna, and evie now live. She also begins watching from the train an attractive couple who live a few houses away from Tom.
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For other uses, see, the girl on the Train. The girl on the Train (2015) is a psychological thriller novel by, british author. 1, the novel debuted. The new York times, fiction Best Sellers of 2015 list (combined print and report e-book ) dated 1 February 2015, 2 and remained in the top position for 13 consecutive weeks, until April 2015. 3, in January 2016 it became the.1 best-seller again for two weeks. Many reviews referred to the book as "the next. Gone girl referring to a popular 2012 psychological mystery with similar themes and use of unreliable narrators. 4 5, by early march 2015, the novel had sold over 1 million copies, 6 and.5 million by April.
From the intimacy. My summer of love, through the hangry sorcerers plan apprentice. The devil wears Prada to the sci-fi action heroine. Edge of Tomorrow and the blindsided fbi agent. Sicario, blunt has proved herself to be a mesmerising presence in a range of genres. In Rachels fractured personality, we see echoes of Blunts previous screen lives, refracted through a prism of self-destruction that somehow never alienates the audience. Retaining the British accent that makes her even more of an outsider in this scary new World, Blunt convinces completely as a drunken fish out of water. This train may not be bound for glory, but her disruptive company is worth the price of the ticket).
are inevitable, although a closer screen cousin would be rowan Joffes amnesiac thriller. Before i go to Sleep (from sj watsons novel a connection emphasised by a line of Rachels voiceover, which eerily echoes that title. Rear Window obviously looms large too, yet its the erotic thriller template laid down by the joe eszterhas-scripted. Jagged Edge and, basic Instinct that casts the longest shadow. Screenwriter Wilsons credits include. Secretary and, chloe (the latter being Atom Egoyans unloved remake of Anne fontaines. Nathalie both of which vaguely prefigure the voyeuristic twists served up here as she wrestles with the multiple voices of Hawkinss source. In the end, however, the whole movie rests upon the shoulders of Emily Blunt, and she holds it all together brilliantly, even as her character is falling apart.
When Haley bennetts alluring Megan goes awol, rachel presents herself to handsome Scott (luke evans) as an old friend with crucial information. But do rachels own lapses of memory hide a guiltier secret? Im not the girl i used to be, says the circling narration, a phrase that echoes throughout the film, linking the central characters, all of whom are variously living a lie. Theres a strong, management feminist-inflected suggestion that Rachel, megan and Anna are different sides of a singular shared experience, their dreams, memories and voices intermingling in a mosaic of female rage, a silent scream in this modern Stepford. Intertitles announcing fluid character perspectives (Megan, Anna and time frames (Six months ago, last Friday, today) are flashed up on screen, but its Christensens camera that really defines our point of view, from the gliding shots of restless Megan, through the glacial home life. As seen through Rachels eyes, the world has an appalling hangover, forever awakening in a pool of blood and vomit. Theres a touch, too, of William Hjortsbergs.
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Fans of paula hawkinss runaway bestseller have reacted with dismay to the changes made to her story as it travelled from the page to the screen. Whether its shifting the destination from the grit of London to the gloss of New York, or casting commuters too glamorous to ride this route, the help director Tate taylor has signally failed to reassure doubters that their beloved journey has not been disrupted. Yet for those (like me) who jump aboard taylors movie before reading the book, theres plenty to keep this cinematic train a-rollin, from Charlotte Bruus Christensens adventurous cinematography to danny Elfmans expressive score and Erin Cressida wilsons oddly sympathetic script. Most importantly, in the shape of the mercurial Emily Blunt, The girl on the Train has a believably derailed heroine whose hollow eyes, crusty lips and stumbling gait convey. Leaving Las Vegas levels of addiction while still retaining an air of mystery and intrigue. Retaining her British accent in this scary new World, Blunt convinces completely as a drunken fish out of water. Stupefied by her divorce from Tom (Justin Theroux Blunts permanently pickled Rachel travels the picturesque hudson Line into the city, passing through the leafy, upmarket suburb where Anna (Rebecca ferguson) is now writing raising a child with Rachels ex-husband. Attempting to avert her gaze from her former home (That bitch is living in my house rachel fixates on a neighbouring dwelling whose glamorous inhabitants seem to be staging theatrical acts of love for her viewing pleasure. Rachel imagines them existing in a state of bliss, until she glimpses something that cuts against her sozzled fantasies.